My guest blog post for Editing Addict is up this morning: “How to Submit Poems for Publication.”
I hope it helps someone!
My guest blog post for Editing Addict is up this morning: “How to Submit Poems for Publication.”
I hope it helps someone!
This has to be the coolest list of poets that has ever included my name…
Thanks for using my “Why I Write Poetry” blog post as an exemplar, Ruben Quesada!
Incidentally, if you are a latin@ poet, you should submit a video and written essay to Ruben’s “Why I Write” project.
I feel like I should wish a happy first birthday to my three chapbooks that were published last summer, but then that’s not quite right. They were born long before they were published. Maybe publication is more of a coming of age than a birth. Maybe this is an anniversary.
Regardless, I’ll start with the first…
Happy first year of publication to The Gospel of the Bleeding Woman! This collection was the first intentionally unified, researched-based collection I ever wrote, yet the persona poems manage to capture more of my own faith/doubt than any overtly autobiographical poetry I’ve written. It will always be special to me, and I’m glad that it was the first to be published.
During this first year, I especially loved sharing these poems as the featured poet at PLNU’s Poetry Day last September and as the keynote speaker for Biola’s Zeitgeist Conference in May, and, of course, I loved wearing my Jesus costume at the AWP bookfair to get people to stop and talk to me about this book.
I was also thrilled to have a poem from this collection, “Where Death Is Not an Is,” featured on Verse Daily in September.
Thank you to everyone who bought this chapbook, read these poems, listened to me read these poems, talked with me about these poems and the stories behind them, reviewed the collection, interviewed me in print and podcast, and stopped to talk and take pictures with Jesus/me. I’m so honored to be able to do this work.
If you haven’t yet gotten a copy of The Gospel of the Bleeding Woman, you can still do so from Amazon or from Wipf & Stock. Or better yet, you can buy it straight from me and I’ll sign it for you. 😉
I have an ocean-view room at the Serra Retreat Center in Malibu, where I’ve spent the last day and a half working on poems and enjoying the ocean breeze. Sometimes real life is peaceful and full of poetry. More often it’s full of poop and toddler tantrums, but those are mixed in with toddler humor and snuggling. I’m thankful that I get to experience all of it.
I’m working on finishing up the first draft of a new poetry manuscript, tentatively titled All That Remains. When my colleagues at this faculty retreat ask what I’m working on over shared meals in the dining hall, I like to tell them that I’m rewriting the Bible. I wish I’d been raising my camera immediately to snap photos of the facial expressions I’ve gotten in response: most people smile or laugh, and everyone’s eyebrows rise up to full staff.
The longer explanation is that I started this poetry project because I needed an assignment. In 2012, with a new baby and a new full-time job, having just finished my dissertation, I thought that I’d better give myself a structured writing project that would keep me writing even when the world was against my actually writing anything. I was feeling particularly angry at the time toward people who take Bible verses out of context and use them as weapons against anyone who disagrees with them. I thought, “I can take biblical language out of context too!” and set out to satirize this practice. What started as angry satire quickly became playful and interesting: anagrams for titles, word-bank-style found poetry. I’m enjoying the process and feel excited about the results so far.
As of this afternoon, I’m 12 poems away from finishing a complete draft of this manuscript! Now back to work…
55 poetry presenters on 16 panels over 3 days: 2014 Schedule
I was so busy organizing and attending the Poetry Studies & Creative Poetry sessions at the PCA/ACA Conference in Chicago mid-April that I never posted about it on here. It was fantastic! I fully intended to see more of the city and to take naps while I was on this conference trip, but I couldn’t tear myself away from the poetry panels. I was so impressed with the presentations: readings and performances of original poems, paper presentations, discussions about teaching and community involvement, and more. One of the extra special highlights was getting away from the conference hotel for an off-site poetry event: we saw Kate Gale and Nicelle Davis read at the Seminary Co-Op Bookstore, followed by a delicious dinner at The Nile Restaurant. I loved getting to know some new poet-friends and getting to visit with some already dear ones.
I look forward to helping poets further infiltrate the Popular Culture Association / American Culture Association Conference in New Orleans next year…
My guest blog post went up yesterday at The Junia Project. If you’d like to read my thoughts about a terribly unsuccessful campus interview, or if you’d like to read my thoughts about how feminism and Christianity work together, then take a look.
The past week has been full of wonderful poetry-related stuff…
On Tuesday, I finished drafting the first section of my biblical fragmentation project, tentatively titled All That Remains, and I realized that I’m doing a really strange sort of lectio divina. I’m looking forward to submitting some of these poems to literary journals in the coming week.
On Wednesday, I had my favorite haiku I’ve ever written accepted for publication in an anthology from Chuffed Buff Books.
On Thursday, my morning began with coffee, bagels, and good conversation with Nicelle Davis, one of my favorite poet-friends. Then I got to have lunch with Brett Foster and attend his poetry reading that night, which was wonderful. It’s always nice to meet another friendly poet. Also on this day, I had a poem accepted for publication in The Wallace Stevens Journal.
Today, I heard that The Emerald Issue of Fairy Tale Review is going to print, and it includes my poem “No Place Like,” in which an aged Dorothy is obsessed with painting everything green. I was pleased to get a shout-out in the press release, and I’m so excited to read this Oz-themed issue!
I could really use more weeks that are this full of productive writing, good news, and fellow poets!
I try to keep this website focused on poetry, which means that I don’t post all of my cute baby videos or share the details of my son’s potty training here… unless those things appear in a poem. Then they’re fair game. For poets, the line between what is personal and what is professional is never very clear.
On December 23, my Granny, Wanda Faye Henson, passed away. She was my stay-at-home parent, my childhood playmate, and my current friend—the person I most often talked to on the phone. I couldn’t possibly have loved her any more than I do. Sometimes I feel relieved that she’s at peace. Sometimes I can’t breathe. It’s not professional to grieve in public.
Granny is one of the reasons I’m a poet. She helped me write down the first poem I created at age 4 (see Why I Write Poetry). She spent countless hours reading me nursery rhymes and stories. And Granny haunts my poems. Sometimes she’s explicitly named or described, but often she’s in the background—a swirl of cigarette smoke, a silent observer.
I had the privilege of reading a poem at her funeral. I chose “Chocolate Gravy,” which was one of the poems that I wrote in my first college poetry class. By the standards of current poetry, it’s too simple, too obvious, too rhymed, too sweet. I probably couldn’t write it today. But I’m glad that my 20-year-old self wrote it so that I could read it a decade later and share it with family and friends when we needed something melodic, soothing, and joyful in its celebration of Granny.
She dawns before the morning
In a pale pink gown,
In the kitchen starts performing,
Taking pots and pans down.
I wake to the clanking and the clatter
Of the dishes as she swishes
Round the kitchen to the patter
Of her slipper-tile kisses.
She’s a fairy in disguise,
Stirring nectar with her wand,
Measuring only with her eyes,
Magic passed down from her mom.
She butters all the biscuits;
Always serving, always making
Homemade heaven for her family,
Like this favorite: chocolate gravy.
I feel the thick, smooth liquid flow
Over my tongue, bathed with bliss,
Remembering what I already know:
If love has a taste, it is this.
I had a wonderful time reading tonight at The Studio Theatre by Universal Studios. My fellow readers were fantastic: Karen Kevorkian, who teaches at UCLA, and Hugh Martin, who is an Iraq vet and a Stegner Fellow. It’s not often that I come home from a poetry reading with a book by each of the other readers, but I sure did this time!
As for my work, I read a few poems from each chapbook. They seemed to go over well; the audience laughed heartily in all the right places and occasionally talked back between poems. 🙂 I love interactive audiences. They bought a few of my books too.
Thanks, Alex M. Frankel for running this series and inviting me to participate. Thanks also to Tarumi for the wonderful affirmation and for buying a copy of each of my books.
I had such a wonderful time as the guest poet for PLNU’s annual Poetry Day! Here’s a photo taken by Carol Blessing during the Q&A at the evening reading.
Thanks Carol Blessing, Edie Chapman, and Linda Beail for inviting me and planning all of the events during the day (and some on the next day too!) I was so impressed with the turn out for the afternoon literary tea and the evening reading, and I loved meeting so many engaged and insightful students.