Author Archives: Katie

“I & You” at MOXIE Theatre

I loved watching MOXIE Theatre’s production of “I & You” tonight via Zoom and then being on the panel of guest poets after the show! This play engages with Whitman’s “Song of Myself,” social media, mortality, and more. I know I’ll be thinking about it for a long time. Do yourself a favor and get tickets to see this play virtually while you can!

 

 

Ruminate Happenings!

I had so much fun writing on Instagram live as part of the Ruminate Happenings on March 13. This was my third time doing this live-writing event, and I spent my hour writing poems for Beatriz Fernandez and Charnell Peters. If you’d like to eavesdrop on my writing process and watch me create those two poems, you can still watch the video on Ruminate’s IG account at this link. If you’d also like to join me in supporting this lovely magazine, then you can subscribe at their website. 🙂

“Scheherazade’s Last Words” in The Shining Years

I’m so pleased to have my poem “Scheherazade’s Last Words” included in The Shining Years, an anthology edited by Gary J. Lechliter and published by Blue Wild Indigo Productions.

I admire so many of the poets in this anthology, so I won’t try to list them all here, but one of them is my late thesis advisor, Michelle Boisseau. I’m deeply honored to appear in this company. 

Tasty Other Song Cycle Premiere

Last night, many of us gathered for a YouTube watch party for the virtual premiere of Tasty Other: A Dramatic Song Cycle. What a gift to have Victor Labenske compose this song cycle from nine of my poems! Elda McGinty Peralta and Judith Spaite Labenske brought so much humor, skill, beauty, and brilliance to the vocals, and Victor’s playing and back-up vocals were gorgeous too. The YouTube video will remain available to view; it includes the audio track and the sheet music, which is also available for purchase here.

When I wrote poems based on anxiety dreams during my pregnancy ten years ago, I couldn’t have imagined that some of them would become a song cycle, but last night I got to watch and listen with my nine-year-old son eagerly watching and listening with me, and that was such a joy.

My book Tasty Other won the Main Street Rag Poetry Book Award in 2016 and is available for purchase from the publisher or directly from me. Visit this page for more details.

Rise Up Review & The Minison Project

Over this past long weekend, I had three minisons (14-letter poems) published in the Love Letters issue of The Minison Project, an exciting new journal that focuses on shrunken sonnet forms.

I was also thrilled to have a new poem, “Zombie Dice During Election Week,” published on Monday in the Winter 2021 issue of Rise Up Review.

My work is in spectacular company in both issues! Thank you, editors!

End-of-January News!

The end of January brought an unusual amount of rain to San Diego and an unusual amount of good poetry news and events to me. I couldn’t keep up with posting them all, so here’s a catch-all post for the end of January.

News
I found out on the final day of January that my full-length manuscript, Hereverent, received an honorable mention for the Wishing Jewel Prize! Congrats to the winner, Dennis Hinrichsen, and thanks to Green Linden Press for affirming and encouraging my work.

Publications
In addition to my poem in Kahini Quarterly, which I did write a post about, I also had two more poems published in the past week:
– “How Can You Tell If a Mushroom Is Poisonous?” was published by the excessively cool Cotton Xenomorph, a journal whose editors and contributors I can’t wait to hang out with at AWP post-pandemic.
– “Baba Yaga’s Answer” was featured on the website for Next Door Villain, which is a fantastic podcast focused on villains from fairy tales to recent shows.

Readings
– On Friday, January 29, I got to be a featured reader for The Greatest Indoor Reading Series alongside Jane R. LaForge, Jack Bedell, and Keith Kopka, and that was such a warm and welcoming gathering! I will certainly be attending this reading series in the future. Thanks to Noley for inviting me, to Charlotte for hosting, and to Treena and Ridge for creating this space.
– On Sunday, January 31, I was a special guest with Marthe Aponte and Jacqueline Tchakalian for a brand new series from Nicelle Davis called Plants, Painting, and Poetry. What a gift to read and talk with powerhouse artists and poets!
– I’ve continued to participate regularly for Wednesday Night Poetry, the longest-running weekly poetry series in the U.S., hosted by Kai Coggin. This asynchronous reading series has been such a lifeline during the pandemic, and the inaugural reading was especially incredible.

Class Visits
I love teaching my own students, but there’s also a special thrill in getting to visit someone else’s class as a guest poet, most notably because I don’t have to assign any grades. 🙂
– On January 21, I visited Susan Rich’s literary magazine class at Highline College as part of a panel of journal editors for the student editors of Arcturus. The students asked brilliant questions, and I loved getting to hear from the other editors on the panel as well.
– On January 29, I visited Tom Allbaugh’s intro to creative writing class at Azusa Pacific University, and those students asked me such thoughtful questions about my new chapbook and about writing in general.

Writing
My university is starting our spring semester late, March 1, in an attempt to work around the winter COVID surges, but I’m still hosting a 3-hour silent writing time called Writers Gonna Write once a month on Zoom for students, alumni, and colleagues. I also gather once a week with a few dear writer friends to catch up and do a bit of writing. So much right now is so far out of my control, and parenting kids who are doing school at home is still a challenge, but these regularly scheduled meetings with kindred spirits have been keeping me writing.

Editing
The staff of Whale Road Review made it through our largest reading period ever (over 600 submissions in December), and by mid-January we’d chosen all of the pieces for our upcoming issues. I’m working on setting up the spring issue now, and it’s amazing. We had so much fun at our 5-year anniversary reading on January 9 that we’re now planning a staff celebration reading for February 6, and we’re planning to have virtual release readings for each issue going forward too. I love doing this work.

I won’t mind if February brings more good poetry news and events, but I do need things to slow down a little so I can focus on completing syllabi and course materials for my spring classes. I feel fortunate to get to do all of these things while we’re staying home. If you’re reading this, I hope you’re taking good care and finding ways to be creative and connect with others safely too.

“After an Older Man…” in Kahini Quarterly

My poem “After an Older Man from Church Drunk-Texts to Tell Me I Looked Good Topless in His Dream Last Night” has been published in Kahini Quarterly.

I’m especially glad that this deeply personal poem found a home in Kahini Quarterly, which is the most selective and highest paying literary journal I know. I was so shocked when I got this acceptance last week; I responded by going to sleep for 12 hours! I’m grateful to the editors for choosing my work and for placing such value on writing, and I’m overwhelmed by the messages of affirmation and solidarity I’ve received.