Author Archives: Katie

Mercy Street Readings

Thanks to Ruben Quesada for including me in this stellar line up of poets last night! What a joy to read alongside these rockstars, and Jennifer Kwon Dobbs was such a warm and lovely host. I’m still glowing. 

 

“What to Expect” on Poetry Unbound!

I woke up this morning and listened to my favorite podcast, but today it features my poem! Thanks to Pádraig Ó Tuama and all of the Poetry Unbound staff at The On Being Project for this incredible gift.

Listen here (transcript available).

May: The Other Journal, The Canopy Review, Guilty Pleasures, & Forms!

The end of May has found me busy preparing for things that shouldn’t overlap. I always release the summer issue of Whale Road Review during the first week of June, but my university delayed our spring semester’s start, so the first week of June is also our last week of classes. On top of that, the Popular Culture Association national conference (for which I run the Poetry Studies & Creative Poetry area) also moved this year from Boston during Easter week to a virtual platform during the first week of June. It’s absurd that these major roles I play are all colliding this coming week, but I’m as ready to rock as I can be.

Before I jump into this absurd week, here’s a look back at some lovely things from May that I didn’t get a chance to share here yet:

The Other Journal was especially good to me, re-publishing my poem “The Book of Fists” in their newest print issue and also publishing this beautiful review that Tom C. Hunley wrote about my latest chapbook, 28,065 Nights.

The Canopy Review published two of my poems in their second issue, and they’ve featured “The Book of Ear” on their website. (You can find that poem and “The Book of Ash” in the print issue.)

The “Guilty Pleasures” Crystal Field Scholarship Reading was held via Zoom on May 21, and I was honored to read a brand new poem in the company of some Kansas City poetry stars. I received the Crystal Field Scholarship 15 years ago during my time at UMKC, so it’s a special joy to thank the writers who keep this scholarship funded and to give back now.

Finally, I received the contributor copies of How to Write a Form Poem, which includes my ghazal “Time Falling” and my found poem “The Book of Class.” I’m so grateful to Tania Runyan for including my work and feel overwhelmed to have my poems in such stunning company.

Now to let these lovely things fuel me through the wild week ahead!

A Harp in the Stars

I’m so thrilled to have a micro essay (or is it a prose poem?) included in this new lyric essay anthology, A Harp in the Stars, edited by Randon Billings Noble! You can pre-order it now from University of Nebraska Press if you’re so inclined.

 

Interview in Mom Egg Review

Earlier this semester, I got to visit Will Woolfitt’s creative writing class at Lee University and talk with them after they’d read my new chapbook. Two of his students, Makenzie McGee McCracken and Eric Van Gorden, sent me the most thoughtful interview questions after my class visit, and their interview was just published last week in Mom Egg Review. I’m so grateful to Makenzie, Eric, Will, and the MER editorial team for their kind support of my work!

https://momeggreview.com/2021/04/25/an-interview-with-katie-manning/

Three Poems in Limp Wrist

I’m so honored to have three poems in the new issue of Limp Wrist! My poem “In Praise of Spouse” was a finalist for the 2021 Glitter Bomb Award.

Fun fact: I wrote this poem after listening to Pádraig O’Tuama read “Bone of My Bone and Flesh of my Flesh” by Ellen Bass on the Poetry Unbound podcast. I adore that poem, but Bass so quickly dismisses my favorite public term for my love, so I had to write this poem for my spouse. 

You can also read my poems “Con Pane” (named for my favorite bakery!) and “Temporomandibular Prayer” (named for my TMJ!) in this issue. Thanks to editor Dustin Brookshire for affirming and publishing my work.